Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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Caravaggio The Supper at Emmaus oil painting


The Supper at Emmaus
mk156 1601 Oil and egg tempera on canvas 141x196.2cm
Painting ID::  40403 		Caravaggio
The Supper at Emmaus
mk156 1601 Oil and egg tempera on canvas 141x196.2cm
   
   
     
Caravaggio Boy with a Basket of Fruit oil painting


Boy with a Basket of Fruit
mk156 c.1595 Oil on canvas 70x67cm
Painting ID::  40404 		Caravaggio
Boy with a Basket of Fruit
mk156 c.1595 Oil on canvas 70x67cm
   
   
     
Caravaggio The Fortune-Teller oil painting


The Fortune-Teller
mk156 c.1594 Oil on canvas 99x131cm
Painting ID::  40405 		Caravaggio
The Fortune-Teller
mk156 c.1594 Oil on canvas 99x131cm
   
   
     
Caravaggio The Death of the Virgin oil painting


The Death of the Virgin
mk156 1601-1605/06 Oil on canvas 369x245cm
Painting ID::  40407 		Caravaggio
The Death of the Virgin
mk156 1601-1605/06 Oil on canvas 369x245cm
   
   
     
Caravaggio The Lute Player oil painting


The Lute Player
mk159 c.1595 Oil on canvas 94x119cm
Painting ID::  41001 		Caravaggio
The Lute Player
mk159 c.1595 Oil on canvas 94x119cm
   
   
     
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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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